Jeannine Hall Gailey: Flare, Corona

Issue #
13
November 1, 2023

Jeannine Hall Gailey

“Who knew the apocalypse could be so fun? Jeannine Hall Gailey, that’s who. Our trenchant speaker, who ‘wrote a nuclear winter poem when I was seven,’ now in mid-life finds herself smack dab in the eye of a perfect storm: a mistaken terminal cancer diagnosis resolves itself into an MS diagnosis accessorized with a coronavirus crown. Yet these poems are deeply life-affirming, filled with foxes and fairytales and fig trees. Flare, Corona is a surprising, skilled, and big-hearted book.”

— Beth Ann Fennelly, author of Heating & Cooling: 52 Micro-Memoirs

“Everything really is connected is what I kept thinking as I read Jeannine Hall Gailey’s Flare, Corona. In it, the ecological crisis we face is felt in the marrow of the body, and ‘chronic illness’ becomes a phrase to characterize not only a human condition but our global one. Yet Gailey faces personal and societal illness with characteristic deep feeling and humor, and I was struck by the search for hope and optimism undergirding these inviting, image-rich poems: ‘Look to the future—perhaps that glow you see isn’t fire, but sunrise.’”

— Dana Levin, author of Now You Do Know Where You Are

“The milieu of Flare, Corona, is at once literal and metaphorical: what blooms in the water and soil of Oak Ridge, Tennessee, ultimately blooms in the bodies of those who grew up there. This collection effortlessly toggles between what feels endangered in the macro-political scale of contemporary American society, and in the micro-medical reality of our speaker: ‘My first flare came on the week of the solar eclipse / when the shadow fell cold over us, and the birds stopped singing.’ What’s astonishing about this collection is how the poet showcases her trademark dark humor and vivid hyperbole—all the while pulling the reader in close to consider, frankly and with earned insight, the experience of chronic illness. Crafty uses of parallel structure and self-portraiture elevate personal narratives into poems that will outlive any apocalypse. This is an immersive, terrific read.”

— Sandra Beasley, author of Made to Explode

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